We want you to create a 13-panel scary story starting from a random panel we assign. It's a fear-fraught opportunity to work with some of the most twisted minds in webcomics.Hello everyone. Heck of a first post, but I figured since I have a specific question about setting up plot then here would serve rather than the Coffee Haus.
While sitting down and designing the plot and script for a webcomic project I hope to complete (as opposed to my previous dismal failure), I've run into a slight quandry. Perhaps some of the webcomic gurus here could cast their considerable wisdom on the problem?
The first "segment" of the plot centers around a scientist who works at a large observatory built on the Lunar Farside. Unfortunately for her (and helping to set up some of the larger conflicts) not only is her pet project threatened with closure, the observatory itself is set to be shut down barely a few months after it was completed (real-life precedent for such bonebrained reversals: those who follow science news may remember in 1993 when the Superconducting SuperCollider, then the most ambitious particle accelerator planned, was cancelled by the US Congress, leaving a big hole in the Texas soil.)
However, at the moment that her project recieved its "death sentence", it succeeds when the scientist finds not only what she's looking for (Earth-sized planets beyond our solar-system) but finds something she wasn't looking for, but even more momentus (one such planet has a breathable atmosphere).
In other words, a case of serendipity (which does happen in real science now and then) occurs to save the scientist's project. Storywise, this seems to be a little too pat, but since this is being planned as the trigger for everything else that follows, I think such a coincidence may be justified, but I fear it might shatter the suspension of disbelief that I want to cultivate. Any opinions?
Andrew