It's short attention span review theater this week with two short reviews - Justin tackles Man Man by Matt Shepherd and James Duncan and George tackles Sarah Zero by Ace Plughead.

It's a Man's Man's Man's World

Man-Man, created by James Duncan and Matthew Shepard is a…different kind of superhero webcomic. It is a parody of the typical superhero genre, and of itself as well. Man-Man does not take itself seriously, which is one of its greatest strengths.

In a new monthly Comixpedia column, Kristofer Straub brings us a behind-the-scenes look at the denizens of that other webcomics magazine.

In the third installment of "Essence Of...", contributor Ping Teo distills the essence of action in, what else, an action comic.

Super-teams have always been a popular genre in superhero comics. An interesting combination of super-team and RPG action is Gaming Guardians by Graveyard Greg. It is one of the longest-running and most popular super-teams in webcomics. We talked to Greg about Gaming Guardians and his work on Graphic Smash.

Sparkling Generation Valkyrie Yuuki is without a doubt the most oddly-named, and unusual variant of Norse mythology ever printed in comic form. Yet in some ways it's closer to the original Norse myths than anything Lee and Kirby ever did with Thor. With a sixteen-year-old boy who turns into a Norse battle-valkyrie, (including a change to the female gender) it is alternately exciting, action-filled, and humor-filled. Its creator, Kittyhawk, was kind enough to give us an interview.

When I was your age our webcomics didn't have pictures That's right -- they were made out of words. Words! And we liked it that way. You don't know how it is, with your 'webs' and your 'graphical user interfaces' and your 'more than 1200 baud modems.' You don't know how good you have it. We had mainframes and LISTSERV and BITNET.

BITNET.

It’s no secret that superhero comics comprise a large percent of traditional print comics. So it’s not surprising that this genre would migrate to the web as well. The superhero genre is one that we all have a familiarity with, and we like it to different degrees. The genre is also highly self-derivative, borrowing heavily from within its own ranks. Writers and artists recycle and repackage character archetypes, plots, and relationships often, with varying degrees of success.

One of causes of head-scratching among newer webcomics creators is the question of quality as it relates to popularity. Why are there popular comics that suck? Why are there great comics without much readership? (There are plenty, if you look.) If your comic's readership isn't growing much after a year (or two, or three), does it mean it isn't good enough to "make it?"

Howard Tayler loves the puns. And the guns. Oh, does he love the guns.

Tayler’s Schlock Mercenary is one of the monster strips of old school webcomics with archives stretching back to June of 2000. Tayler has been plotting the adventures of one androgynous blob named Schlock for almost 5 years now, every day of every week of the year.

And to think it all started with one little "ommmmminous hummmmmmmm…"

When I was first asked to write an article for Comixpedia, I was a bit surprised. While I have been working on Just Call Me Freedom for a number of years, it had never achieved more then a small cult following. Regardless of that, I decided to take this opportunity to introduce new readers to my work while also giving current readers a glimpse into the history and creation of the series.