Joel Fagin follows up his previous article on the selling of webcomics Reinventing Micropayments with another look at how creators could sell digital comics. This time, he further explores the notion of selling comic downloads and examines the initial results of Starline X Hodge's sales of her comic Candi.
Last month, I complained that it was difficult to dig up enough stories to fill a full column for an “all ages” themed issue. I had no such problem this month! Of course, it’s no surprise that fantasy stories are plentiful in webcomics—fantasy comics have long been one of the most successful genres among independent print comics, from Elfquest, to Bone, to Finder. Fantasy creators continue to explore every inch of the genre, from philosophical, to action-packed, to erotic, to the downright silly.
Fantasy webcomics this month, is it? A large topic.
And we can make it even bigger. I mean, depending on how technical you wanna get, all fiction is fantasy. It's stuff that never happened, at any rate, and that's as basic a definition of fantasy as I can think of.
Very few comics can reference Men in Black, John Carpenter’s The Thing, and painter Thomas Eakins in a single story line, much less a story line that includes extreme violence, puns, slapstick, and touching self sacrifice. And even fewer can do it in such a way that is so seamlessly professional and on tone as any work in print or on the web. But that is what you get 5 days a week in Kristofer Straub’s Starslip Crisis.
Pete Abrams, the creator of Sluggy Freelance, one of the more celebrated and long-running (longest-running?) serialized webcomics ever not only is coming up on 10 years of Sluggy, but recently welcomed a new addition to the Abrams family: Sarah Emily Abrams, born May 12th, 2007. (Ed: Congratulations!) We managed to catch up with Pete before Sarah Emily's birth and talked to him about his favorite Sluggy moments, balancing running a webcomic with family life and how he makes his living from Sluggy.com.
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